Trainspotting has a lot to answer for. Since Danny Boyle’s seminal filming of Irvine Welsh’s drug-lifestyle tale, directors and producers have been lining up to try and replicate that film’s success, aided substantially by modern dance culture and the drugs that circulate within and fuel it. Justin Kerrigan’s Human Traffic is certainly not the first film to take its cues from Trainspotting, but - unlike some of the other players in this increasingly crowded, self-aware field - Human Traffic attempts to be more than just a drug culture movie.Immodestly marketed overseas as “the last great film of the 90s” (!!), Human Traffic tells the story of one night in the clubbing life of the bored and frustrated Jip, who, like his friends, lives and breathes for the weekend, when he can escape from his boredom-filled working life. There’s not a great deal of plot here - and what little there is concerns itself far more with teen romance than it does drugs. Loaded to the gills with quirky straight-to-camera dialogue and surrealistic fantasy sequences, Human Traffic come across like a modern update of a John Hughes teen movie, and the main thrust of the story - the budding romance between Jip and his best friend Lulu - is straight out of Some Kind Of Wonderful. There are also elements of director Cameron Crowe’s style to be found here - make no mistake, this is no hard-core drug movie, but instead a predictable but often winning piece of fluffy entertainment, skilfully made and effortlessly entertaining if a little short on substance (pardon the pun) and boasting an appealing young cast. The Trainspotting connection is well taken care of, though, via the odd bit of stream-of-consciousness dialogue in the Irvine Welsh style (a good slab of this is the first thing that attacks you when you load the disc) as well as a knowing reference to the film itself in the script.
Human Traffic was a soundtrack-album-driven project, its double-disc compilation CD companion well regarded by those who like their dance music accessible and melody-laden. Even if dance and techno music is as appealing to you as a night out at a Liberal Party function, though, you’ll almost certainly find something to like amongst the dozens of tracks that constantly play throughout the film.
Ultimately, Human Traffic is a well made bit of no-brainer fluff, a teen flick transported into the world of pills ‘n’ thrills with a heady dose of stylistic excess and a lot of attitude. Though it could have been a disaster, it works - mainly because it comes complete with a warm heart.
Why this film scored an R rating in Australia (for “drug use”) is a mystery - while there’s plenty of drug use going on throughout, none of it’s gratuitous and the ultimate message of the film is almost anti-drug. Rest assured that unless you’re defiantly against watching any kind of fictional entertainment that deals with drugs, you’ll find little to offend in Human Traffic.
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